The Director-General of the Criminal Investigations Department (CID) of the Ghana Police Service has clarified his recent comments referring to Ghanaian musicians Stonebwoy and Shatta Wale as his “sons,” explaining that the term was intended to convey a mentor-like relationship rather than literal paternity or favoritism.
The clarification comes after the senior police officer’s initial remarks sparked public debate and raised questions about the nature of his relationship with the two prominent dancehall artists.
According to the CID boss, his interactions with Stonebwoy and Shatta Wale have primarily occurred during high-profile incidents requiring police intervention. Over the years, both musicians have been involved in public disputes and misunderstandings that drew the attention of law enforcement agencies. In those instances, he stated, his role was to ensure calm, oversee proper investigations, and facilitate peace among the parties involved.
He explained that repeated engagements over time fostered a level of mutual respect and familiarity, leading him to use the term “sons” as a symbolic expression of guidance and correction rather than personal bias. He emphasized that the phrase reflects a professional connection developed through his work in managing disputes within the entertainment industry and should not be misinterpreted as diminishing the achievements of either artist.
Stonebwoy and Shatta Wale are widely recognized as two of Ghana’s most influential dancehall musicians, each commanding a significant fan base and playing a pivotal role in shaping the country’s contemporary music scene. Their careers have been marked by periods of rivalry and public disagreements, some of which have drawn national attention and necessitated the involvement of law enforcement to maintain peace.
The CID boss stressed that handling situations involving high-profile figures requires a calm and diplomatic approach, particularly given the artists’ influence on the youth and entertainment community. He noted that maintaining stability within the creative industry is important for national security, as entertainment serves as a key platform for youth engagement and cultural expression.
His clarification has generated mixed reactions from fans and entertainment commentators. While some have praised the rapport between law enforcement and entertainers as a constructive approach to conflict resolution, others have questioned whether such informal language risks blurring professional boundaries.
Despite the ongoing discussion, Stonebwoy and Shatta Wale continue to hold prominent positions in Ghana’s music industry, contributing to the growth of contemporary African dancehall and inspiring a new generation of artists.
The CID boss’s remarks underscore the broader relationship between security institutions and the entertainment sector, particularly in addressing disputes and promoting peace within the creative space.
